The Newars are regarded as the original inhabitants of the Kathmandu Valley, but their origins are shrouded in mystery. They speak a Tibeto-Burmese language, which indicates they originated in the east, but their physical features range from distinctively Mongoloid, again suggesting to east, to Indo-Aryan, which of course points to India. In balance, it seems most like that the Kathmandu valley has long been a cultural and racial melting pot, with people coming from both east and west. This fusion has resulted in the unique Newar culture that is responsible for the valley's superb art and architecture.The Newar golden age peaked in the 17th century when the valley consisted of small city-states, and Nepal was a vitally important trading link between Tibet and the north Indian plains. the valley's visible history is inextricably entangled with the Malla kings. It was during their reign, particularly in the 1600's and 1700's, that many of the valley's finest temples and palaces were built. Competition between the cities was intense and an architectural innovation in one place, such as the erection of a column bearing a statue of the ruling king, would inevitably be copied in the other cities.Sorting out who built what and when is considerably complicated by the fact that at any one time there was not just one Malla king. Each of the three city-states in the valley – Kathmandu, Patan and Bhaktapur – had its own.The unification of Nepal in 1768 by Gorkha's king Prithvi Narayan Shah signaled the end of the Kathmandu Valley's fragmentation. Nepali, an Indo-European language spoken by the Khas of western Nepal. replaced Nepalbhasa as the country's language of administration. It is not surprising that the Newar people were influenced by Tibet and India. What is surprising is their creativity response to this stimulus, which actually led to a genuine exchange with their giant neighbors. Mediaeval Near society has left a religious architectural and artistic legacy that is unique, and spectacular by any standard.Although most Newars have Mongoloid physical characteristics, some don't, so their origins are shrouded in mystery. It is now generally accepted that they are a mixture of many different peoples who were attracted to the valley, possibly origination with the Kiratis, or an even earlier group, Perhaps the Newars' most striking characteristic is their love of communal life. Newar houses were invariably clustered together, usually around sites of religious significance. Although their economy was centered around agriculture and trade, they created sophisticated urban communities which catered to a breadth of human needs in an integrated way that has rarely been matched.Today there are around 600,000 Newars largely centered in the Kathmandu Valley. Always traders and merchants, the Newars continue to fill this role throughout the kingdom. Their proximity to the center of power has also led to them having a disproportionate influence in the bureaucracies of Kathmandu. many now live in heartbreakingly ugly bungalows on the outskirts of the city proper, and many of their traditions are on the wane. The Newars are very much rich in traditional, classical and folk music as in dances. Various music and dance events take place in different parts of Newar societies on the occasion of different festivals. In fact, the Newars are so duly intermixed with music and dances that not a single festival, feast or ceremony, 'from womb to tomb', passes without a music or music and dances.Various songs, musical instruments and dances are connected with various religious, social and cultural life of the Newars Different musical instruments are in practice in the festival, feasts, ceremonies and also in funeral procession.
HistoryThe Newars are regarded as the original inhabitants of the Kathmandu Valley, but their origins are shrouded in mystery. They speak a Tibeto-Burmese language, which indicates they originated in the east, but their physical features range from distinctively Mongoloid, again suggesting to east, to Indo-Aryan, which of course points to India. In balance, it seems most like that the Kathmandu valley has long been a cultural and racial melting pot, with people coming from both east and west. This fusion has resulted in the unique Newar culture that is responsible for the valley's superb art and architecture.The Newar golden age peaked in the 17th century when the valley consisted of small city-states, and Nepal was a vitally important trading link between Tibet and the north Indian plains. the valley's visible history is inextricably entangled with the Malla kings. It was during their reign, particularly in the 1600's and 1700's, that many of the valley's finest temples and palaces were built. Competition between the cities was intense and an architectural innovation in one place, such as the erection of a column bearing a statue of the ruling king, would inevitably be copied in the other cities.Sorting out who built what and when is considerably complicated by the fact that at any one time there was not just one Malla king. Each of the three city-states in the valley – Kathmandu, Patan and Bhaktapur – had its own.The unification of Nepal in 1768 by Gorkha's king Prithvi Narayan Shah signaled the end of the Kathmandu Valley's fragmentation. Nepali, an Indo-European language spoken by the Khas of western Nepal. replaced Nepalbhasa as the country's language of administration. PeopleIt is not surprising that the Newar people were influenced by Tibet and India. What is surprising is their creativity response to this stimulus, which actually led to a genuine exchange with their giant neighbors. Mediaeval Near society has left a religious architectural and artistic legacy that is unique, and spectacular by any standard.Although most Newars have Mongoloid physical characteristics, some don't, so their origins are shrouded in mystery. It is now generally accepted that they are a mixture of many different peoples who were attracted to the valley, possibly origination with the Kiratis, or an even earlier group, Perhaps the Newars' most striking characteristic is their love of communal life. Newar houses were invariably clustered together, usually around sites of religious significance. Although their economy was centered around agriculture and trade, they created sophisticated urban communities which catered to a breadth of human needs in an integrated way that has rarely been matched.Today there are around 600,000 Newars largely centered in the Kathmandu Valley. Always traders and merchants, the Newars continue to fill this role throughout the kingdom. Their proximity to the center of power has also led to them having a disproportionate influence in the bureaucracies of Kathmandu. many now live in heartbreakingly ugly bungalows on the outskirts of the city proper, and many of their traditions are on the wane. MusicThe Newars are very much rich in traditional, classical and folk music as in dances. Various music and dance events take place in different parts of Newar societies on the occasion of different festivals. In fact, the Newars are so duly intermixed with music and dances that not a single festival, feast or ceremony, 'from womb to tomb', passes without a music or music and dances.Various songs, musical instruments and dances are connected with various religious, social and cultural life of the Newars Different musical instruments are in practice in the festival, feasts, ceremonies and also in funeral procession.Musical instrumentsIt is believed that there are about 200 (two hundred) types of original musical instruments in Nepal, and 108(one hundred eight types) of musical instruments have been found till now. A great number of Newar musical instruments are included init. These instruments can be classified into four classes according to Sangeet Shastra.1. Membranophones - Dhimay, Dhah, Paschima, NayaKhin etc.2. Idiophones - Bhusyah, Chhusyah, TainNain etc.3. Chordophones - Piwancha4. Aerophones - Murali, Nekoo, Bansuri etc. Newars and Newari culture !!!
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